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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Boyca dharraka mayung ngurr gartji. Lardum ratjuk gurr (Boyca at Mayung Creek, Gartji. Hunting for barramundi), 2022 Cassandra Scott-Finn

Boyca dharraka mayung ngurr gartji. Lardum ratjuk gurr (Boyca at Mayung Creek, Gartji. Hunting for barramundi)

Cassandra Scott-Finn
Image
Becky feeding Hazel, 2012 by Louise Allerton

Becky feeding Hazel, 2012

by Louise Allerton
Image
Fifteen, 2016 by Fiona Morris

Fifteen, 2016

by Fiona Morris
Image
Mr King was once on Countdown, 2010 by Ben Searcy

Mr King was once on Countdown, 2010

by Ben Searcy
Image
Jeremy, 2001 by Sarah Cocker

Headspace 2

Previous exhibition, 2001

A dynamic young people's art exhibition, Hearts/Heads: Headspace II explored portraiture, produced by students from year 7 to year 12

Sayeh: from the series Iranians, 2011 by Aletheia Casey

Sayeh: from the series Iranians, 2011

by Aletheia Casey
Image
Portrait of a Girl Eating, 2006 by Leyla Stevens

Portrait of a Girl Eating, 2006

by Leyla Stevens
Image
Billy Mann 1963 by Larry Clark

Larry Clark

Tough & Tender
General content

Larry Clark's black-and-white documentary images of young outsiders reveal raw feelings. 

Treading Water, 2017 by Josh Owen, video: 5 minutes

Treading Water, 2017

by Josh Owen
General content

Finalist, DPA 2017
Single channel digital video

Nick Cave

On commission

Magazine article by Andrew Sayers AM, 2002

Former NPG Director Andrew Sayers discusses the art of commissioning portraits.

© Shirley Purdie/Copyright Agency, 2020

Ngalim-Ngalimbooroo Ngagenybe

Shirley Purdie
Previous exhibition, 2020

Using ochres collected on her country in Western Australia’s East Kimberley, Shirley Purdie’s self-portrait is a kaleidoscope of traditional Gija stories and Ngarranggarni (Dreaming) passed down to her.

Self portrait

A Singular Line

Magazine article by Simon Elliott, 2003

A newly acquired work by Stella Bowen adds to the National Portrait Gallery's growing collection of important Australian self-portraits.

Lleyton Hewitt
Lleyton Hewitt
Lleyton Hewitt

Lleyton Hewitt, 1998

Robin Sellick
Portrait, type C photograph on paper

Gift of the artist 2004

The Murdoch

The Murdoch

Moustaches

Sport was a potent means by which, in the lead up to Federation, Australians began to assert a sense of themselves as youthful, manly and athletic – the products of an equally young and virile new nation.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency